Peter Rundquist

Film Music • Sound Design • Post Audio

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 Music That Thinks Like an Editor

Timberline Atlas is a curated music library built for documentary storytelling. Instead of sorting music by genre alone, tracks are organized around the way editors actually work—by scene, editorial function, emotional temperature, movement, and visual context. Whether you need to establish place, hold quietly beneath dialogue, build restrained tension, or carry a story into its final frame, Timberline Atlas is designed to get you to the right cue quickly.

Search less. Listen better. Keep cutting.

Start with a Collection. Then Dig Deeper.

Timberline Atlas cues are first gathered into thematic Collections—albums that provide an intuitive starting point based on broad editorial character and purpose. From there, the search goes deeper. Filter across the entire library by scene, editorial function, emotional temperature, movement, instrumentation, or search language to find the cue that fits the cut—not simply the category.

Browse broadly. Search specifically.

OPEN COUNTRY

Expansive, patient cues built for landscape, travel, discovery, and a strong sense of place. Music with room for the picture to breathe.

HUMAN SCALE

Intimate, understated music for character, conversation, observation, and everyday life. Warmth and humanity without unnecessary sentiment.

STILL TENSION

Restrained suspense and unresolved atmosphere for investigation, uncertainty, and stories unfolding beneath the surface. Pressure without melodrama.

WEATHERED AMERICANA

Rooted, tactile music shaped by acoustic instruments and the American landscape. Well suited to working lives, rural communities, history, craft, and tradition.

EDGE OF QUIET

Sparse, spacious cues that live comfortably beside silence. Designed for reflection, solitude, natural environments, and moments when less music says more.

AFTER THE CUT

Music for what remains after the event—aftermath, memory, consequence, recovery, and perspective. Reflective without dictating how the audience should feel.

UNDER PRESSURE

Forward-moving cues for urgency, process, conflict, and mounting stakes. Momentum and tension that support the edit without overpowering the story.

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